Melankolija 1 albrecht durer biography

In medieval philosophy each individual was thought to be dominated by one of the four humors; melancholy, associated with glack gall, was the least desirable of the four, and melancholics were considered the most likely to succumb to insanity. Renaissance thought, however, also linked melancholy with creative genius; thus, at the same time that this idea changed the status of this humor, it made the self-conscious artist aware that his gift came with terrible risks.

The next was the realm of reason, and the highest the realm of spirit. It is an allegorical composition which has been the subject of many interpretations.

Albrecht dürer family

One of the most famous old master prints, it has sometimes been regarded as forming one of a conscious group of Meisterstiche "master prints" with his Knight, Death and the Devil and Saint Jerome in his Study The archaically spelled title Melencolia I appears within the engraving itself. It is likely that the "I" refers to the first of the three types of melancholia defined by the German humanist writer Cornelius Agrippa.

In this type, Melencholia Imaginativa, which he held artists to be subject to, 'imagination' predominates over 'mind' or 'reason'. One interpretation suggests the image references the depressive or melancholy state and accordingly explains various elements of the picture. Among the most conspicuous are: An autobiographical interpretation of Melencolia I has been suggested by several historians.

Melancholy is a lyric confession, the self-conscious introspection of the Renaissance artist, unprecedented in northern art. Action History. Article Wikipedia article References Wikipedia article. Wikipedia: en.